{"product_id":"taketo-muroi-afterimage-3","title":"Taketo Muroi - Afterimage 3","description":"\u003cp data-end=\"622\" data-start=\"406\"\u003e \u003cstrong\u003eTechnique:\u003c\/strong\u003e Promptography on Hahnemühle Fine Art paper\u003cbr\u003e \u003cstrong\u003eImage size:\u003c\/strong\u003e 45 x 30 cm\u003cbr\u003e \u003cstrong\u003eEdition:\u003c\/strong\u003e 3 + 1 AP\u003cbr\u003e \u003cstrong\u003eYear:\u003c\/strong\u003e 2025\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eAfterimage 3\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn \u003cem\u003eAfterimage 3,\u003c\/em\u003e \u003cstrong\u003eTaketo Muroi\u003c\/strong\u003e condenses the series' central motif into a precise, almost architectural juxtaposition. The image is strictly divided in two: On the left, a vibrant field of color pixels, layers, and gentle transitions unfolds, reminiscent of digital noise images, faulty memory fragments, or chromatic afterimages. On the right, however, is a seemingly homogeneous, gray surface whose order is undermined by breaks, shifts, and empty spaces.\u003c\/p\u003e\n\n \u003cp\u003eThis formal division is not a purely aesthetic decision, but rather points to two different modes of image production. On the left, the image appears as a process – fluid, unstable, generative. On the right, the image reveals itself as a structure – standardized, serial, functional. Yet this side, too, is not stable: the shifts in the material reveal that every order is fragile and every surface bears a history of interventions, losses, and repairs.\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eAfterimage 3\u003c\/em\u003e thus explores the tension between algorithmic image logic and physical reality. The digital afterimage is transferred to the material world, while the supposedly real surface itself becomes a simulation. Perception here appears as something retrospective: an echo of what has already been calculated, stored, and structured.\u003c\/p\u003e\n\n \u003cp\u003eThe work makes visible that images today no longer merely depict, but create conditions – conditions for how we interpret space, materiality, and time. \u003cem\u003eAfterimage 3\u003c\/em\u003e is thus less an image about something than an image about seeing itself: about what remains after the original has long since vanished.\u003c\/p\u003e","brand":"AI - EDITION BERLIN","offers":[{"title":"Default Title","offer_id":56707443786063,"sku":null,"price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0828\/2826\/3759\/files\/Afterimage-3.jpg?v=1766933226","url":"https:\/\/ai-edition-berlin.myshopify.com\/en\/products\/taketo-muroi-afterimage-3","provider":"AI - EDITION BERLIN","version":"1.0","type":"link"}